Mandy Moore has already gone through several career phases in her young life, from teenage pop star to animated voice artist to dramatic actress. But her latest phase, as matriarch Rebecca Pearson on This Is Us, came after a long period in which she put her career on hold and lost her sense of self. Mandy explains to Marc what it meant to be emotionally locked into a relationship, how that tumultuous time was preceded by a stunning development in her family, and why she finally feels comfortable going back to making music. This episode is sponsored by Stamps.com and 23andMe.
Yeardley Smith knows that Lisa Simpson gets people through tough times. She knows because strangers come up to her in public and tell her how much Lisa helped them. And yet, despite portraying this iconic character for 30 years, Yeardley struggled for a long time to see her own life and career as a success. She and Marc talk about her journey, which includes Broadway roles as a teenager, stumbling into voiceover acting, and hosting her own podcast, Small Town Dicks. Plus, Marc himself becomes part of the Simpsons Universe when he welcomes Krusty the Clown to the garage. For real. This episode is sponsored by Squarespace and Aspiration.
Tony Shalhoub grew up with nine siblings so it’s no surprise he developed a way to stand out. Tony and Marc talk about his upbringing in Green Bay, Wisconsin, worshiping at the Church of Lombardi, aka Lambeau Field, and eventually leaving town to become an actor. Tony explains how tricky it is to separate himself from popular characters, like Antonio from Wings and Detective Monk, how his genealogy research in Lebanon made him realize he might be related to a Hollywood legend, and how the popularity of The Marvelous Mrs. Maisel is truly global. This episode is sponsored by SimpliSafe and Butcher Box.
Yorgos Lanthimos makes films that pose a lot of questions and Marc wants answers. But it turns out the question Yorgos finds the least interesting is “Why?” Perhaps his disinterest in simple answers stems from the fact that he was on his own at the age of seventeen, or maybe from his time spent directing hundreds of Greek television commercials, or maybe just from watching movies and being struck by broken conventions. Yorgos talks with Marc about all of his films, from The Favourite to The Lobster to Dogtooth, and his satisfaction that there are no easy answers. This episode is sponsored by Stamps.com and Carnival Cruise Line.
Long before Anderson .Paak was getting nominated for Grammy Awards, well before his collaborations with Kendrick Lamar, Snoop Dogg and Q-Tip, before he was releasing solo albums to critical acclaim, he had already walked away from the music business and had to be talked into returning. Anderson tells Marc why it was such a struggle to establish himself without conforming to what the record labels wanted him to sound like and why he didn’t really see a place for himself in the industry until Dr. Dre told him, “You’ve got that pain in your voice.” Anderson also explains what the dot in his name represents. This episode is sponsored by Aspiration, SimpliSafe, and the New York Times Crossword App.
Writer Allan MacDonell shaped his writing style at the punk magazine Slash, refined it while working for Larry Flint at Hustler, and turned it all on its ear with his trilogy of memoirs. Allan tells Marc how his life was shaped by a David Bowie concert, how he immersed his life in the LA punk scene, and how he almost ended it all in a fit of rage at God. They also talk about the slipperiness of truth in nonfiction writing, which is why Allan killed himself off in his new memoir, and he also divulges the real story of how Hustler got Congressman Bob Livingston to resign. This episode is sponsored by This Is Not Happening on Comedy Central, the New York Times Crossword App, and 23andMe.com.
Allison Janney won an Oscar playing the mother of a figure skater, but when she was younger she actually wanted to be a figure skater. That dream was cut short by a freak accident as a teenager and her acting career didn’t really take off until she was 38. In between, she tells Marc how she became friends with Paul Newman and Joanne Woodward, took an aptitude test that told her to become a systems analyst, and was told by casting agents that she could only play lesbians or aliens. Allison also talks about the grueling shooting days on The West Wing, why her Oscar win was such a relief, and how a personal tragedy was part of the reason she did the show Mom. This episode is sponsored by TurboTax Live, the New York Times Crossword App, and Stamps.com.
If Brad Garrett had to bet on it - and he likes to bet - he’s pretty sure he’ll die in Las Vegas. Which is appropriate because he grew up with an abiding love of Vegas and got his comedy start at the famous Desert Inn on the strip. Brad and Marc talk about how he went from being a six-foot-tall twelve-year-old with no friends to a guy on one of the world’s most beloved sitcoms and now the owner of his own comedy club. Brad also talks about the lessons he learned opening for Frank Sinatra, following Robin Williams, and being on game shows to boost his profile. And yes, of course he still loves Raymond. This episode is sponsored by Broad City and The Other Two on Comedy Central, the New York Times Crossword App, and ZipRecruiter.
It's very possible the only reason Aaron Sorkin became a writer is because he spent a lonely night in a friend's apartment where the only thing working was an electric typewriter. Aaron tells Marc how that fateful night put him on the path to writing his first play, A Few Good Men, and kicked off a writing career on Broadway, in film and on TV that has few rivals. Aaron also talks about his hero and mentor William Goldman, why his first try at adapting To Kill A Mockingbird was no good, and how his habit of writing high landed him in rehab. Plus, stories about the making of The West Wing, The Social Network and more. This episode is sponsored by Squarespace and SimpliSafe.
For Linda Cardellini, a person whose spiritual crisis took her all the way to the Vatican, it's appropriate that the pivotal moment in her career happened when she took a leap of faith on a little TV pilot called Freaks and Geeks. Linda and Marc talk about that seminal show, the initial failure of which was hard to accept, along with the other projects that make her so recognizable to audiences, like ER, Mad Men and the new movie Green Book. They also try to figure out why Linda is still so hard on herself and why she avoids a lot of trappings of celebrity. This episode is sponsored by Black Monday on Showtime, Deadly Class on SYFY, and Stamps.com.