Christina Hendricks can relate if you had a lousy time in high school. Between moving around a lot to her goth fashion style and music choices to her time spent with the school theater crew, Christina was a target of bullies and wanted to get as far away from school as possible. She tells Marc how this alienation led to careers in modeling and acting, and how her agents dumped her when she insisted on pursuing a role in a little show called Mad Men. Christina talks about growing along with the character of Joan and why she made the creators of her new show, Good Girls, make a promise to her when she took the gig. This episode is sponsored by Yousician, Ramy on Hulu, and Stamps.com.
Bruce McCulloch’s characters and disposition on The Kids in the Hall would lead you to conclude he’s somewhat shy, sensitive and kind. And while that may be true now, Bruce says he was an angry young man, a drinker, a fighter. Growing up in Calgary, there didn’t seem to be much of a future for him, but improv comedy became the way out. Bruce talks with Marc about the darkness lurking beneath the Kids and why the group dissolved after making the movie Brain Candy. Bruce also talks about his friendship with the late Gord Downie of The Tragically Hip, his career behind the camera, and his new role producing and directing a sketch comedy troupe called Tallboyz. This episode is sponsored by Leesa.
The last time Vincent D’Onofrio saw Marc it was at a standup show where Marc got tackled on stage by a disgruntled audience member. A lot has changed for both of them since then. You know Marc's story. But Vincent says in the decades since that night, he has improved his mental wellness and gotten his anger under control, two changes he thought would hurt his craft but wound up helping him become a better actor. Vincent also tells Marc about his first movie job being unadulterated Kubrick, why the real goal of an actor is servicing the story, and what went into creating and directing a full-on Western movie, The Kid. This episode is sponsored by Missing Link from Annapurna Pictures, OpenFit, and Capterra.
Growing up in Texas, young Joseph Henry Burnett first experienced musical transportation while listening to records of Cole Porter and Ella Fitzgerald. He developed into not just a versatile musician and producer, but an obsessive archivist and student of music history. T Bone tells Marc about his days traveling with Bob Dylan’s Rolling Thunder Revue, his collaborations with the Coen Brothers for their films, and his production work on the late-career albums of artists like Gregg Allman and BB King. T Bone also explains why he’s taking a break from production to release his first album in 11 years. This episode is sponsored by ZipRecruiter.
John Lithgow can go from playing the sweetest characters you’ll ever see to truly deranged psychopaths, sometimes within the same movie. He’s good at playing kind and evil in equal measure partly because he developed his acting range at a young age growing up around his dad’s traveling Shakespeare festivals. John talks with Marc about his many memorable roles and how working on 3rd Rock from the Sun led him to creating children’s entertainment, from voice acting to songs to books to live concerts. John also explains what it’s like to put his own twist on historical characters, like Winston Churchill, Roger Ailes, and now Bill Clinton in the Broadway play Hillary and Clinton. This episode is sponsored by Squarespace and SimpliSafe.
Phoebe Robinson knows too well the feeling of being “the only one.” Whether it was being the only black person in her grade, the only woman or person of color on a standup show, or the only person being asked to step out of the line at the airport, the ongoing impact is exhausting. Which is why, as Phoebe tells Marc, she always wants to be doing her own thing on her own terms, from 2 Dope Queens to writing bestselling books to her most recent podcast, Sooo Many White Guys. Also, Phoebe and Marc compare notes on interviewing the Obamas. This episode is sponsored by the Broad City series finale on Comedy Central.
Rob Lowe had several revelations over the course of his life. One is that there’s more fun in sobriety than in being under the influence. Another is that he should have had a sex tape scandal later in life when it actually would have helped his career instead of nearly killing it. And the latest is that he needs to keep doing different things to keep from getting bored, including hosting a game show alongside a giant robotic arm. Rob talks with Marc about these discoveries and the moments that led to them, including his early Brat Pack movies, his turn to comedic roles, and his three recurring nightmares, one of which came true. This episode is sponsored by Tacoma FD on TruTV, Stamps.com, Stay Free: The Story of The Clash on Spotify, and Happy on SyFy.
The word prodigy gets thrown around a lot, but if Tal Wilkenfeld isn’t one then the word has no meaning. Tal tells Marc how she never even saw a person play guitar until she was 14 years old. Thanks to encouragement from her grandfather, she started playing as a teenager and immediately stunned professional musicians with her natural talents. Tal explains how her career took off in part because of a viral video of her bass solo in a Jeff Beck concert, how she wound up playing with artists like Herbie Hancock, Prince, and Mick Jagger, and why she often didn’t know who these famous people were as they introduced themselves to her. This episode is sponsored by What We Do in the Shadows on FX, Squarespace, and Stay Free: The Story of the Clash on Spotify.
Amy Sedaris had no plan of action for her career other than going to Chicago to do sketch comedy and going to New York to do plays with her brother David. And as she tells Marc, she still has no plan except for doing things that she finds fun. Amy and Marc talk about how that lack of planning led to her early Comedy Central sketch show Exit 57, a collaborative partnership with Paul Dinello and Stephen Colbert that birthed Strangers with Candy, and a public persona that made her an ideal Letterman guest and the perfect driver for a faux-homemaking show like At Home with Amy Sedaris. This episode is sponsored by Comedy Central, Hulu, Capterra and Aspiration.
Aidy Bryant only recently felt like she could tap into her inner rage. She remains a wonderfully nice person and hilarious performer, but with things like her new show Shrill and other mental adjustments, Aidy feels like she’s taking ownership of some righteous anger. She has that in common with Marc, as well as the fact that they both cry while watching TV all the time. They talk about those shared traits as well as Aidy’s early love of improv, her path to Saturday Night Live, and breaking away from letting things like weight and body image dominate her life. This episode is sponsored by Stay Free: The Story of The Clash on Spotify.