As Connor Roy on Succession, Alan Ruck finally has the kind of role he’s been waiting to get for more than 30 years. And as Alan tells Marc, some of those years weren’t very fun. There was the time after playing Cameron in Ferris Bueller’s Day Off when he could only get work in a Sears warehouse. Or the time before making Speed when he left acting and started tending bar. And then the time when he got sick while shooting Spin City and almost died. At least there were some Star Trek conventions sprinkled in the mix.
Taraji P. Henson says all her f***s are behind her now. But after three decades in show business, Taraji admits she only feels freedom from her f***s because of her openness around mental health. Taraji and Marc talk about the importance of coping with mental illness, as well as Taraji’s work to encourage mental health awareness in the Black community. They also talk about her landmark performances, from Baby Boy to Empire to Hidden Figures, and how she dealt with getting pushed out of roles after being told that “Black doesn’t sell.”
Kelefa Sanneh has been writing about music for his entire career. Drawing on his experience as the music critic at The New York Times, a staff writer for The New Yorker, and a lifelong music obsessive, Kelefa took a detailed look at how music unites and divides us with his new opus, Major Labels: A History of Popular Music in Seven Genres. Marc and Kelefa talk about their own personal musical journeys, how genres are comparable to communities, and how identities can be established and shaped by the music we love.
American audiences fell in love with Julie Delpy as the romantic French traveler Celine in Before Sunrise and its two sequels. But Julie didn’t have an equal love affair with the making of Hollywood films. She tells Marc that she was always happier as a writer and director, and her ongoing fight against institutional biases and sexism left her more than a little frustrated. With her new comedy series on Netflix, On The Verge, Julie is creating an unfortunately rare depiction of women in their 40s and 50s.
Rosebud Baker knows all about the fine line between sadness and funny. She’s learned how to get laughs out of the tragedy that befell her family, her alcohol addiction, her co-dependent and abusive relationships, and her grandfather, who happened to be one of the most powerful people in the world. Marc and Rosebud also talk about how she found stability in her life and how she’s going about rebuilding her standup act after turning out her first special.
Even when he was a kid, B.J. Novak wanted to achieve greatness. His hard work and ambition brought him to Harvard, to the Lampoon, to doing standup, to getting on The Office, to writing a massively successful children’s book, to directing movies and creating the new anthology series The Premise. But one thing remained elusive: B.J. couldn’t really understand why Marc Maron seemed to dislike him so much. It’s a mystery Marc himself wasn’t sure he could solve. Until now, in the garage, face to face.
From October 2011, Marc's revelatory conversation with Norm Macdonald about life, comedy, gambling, death and Rodney. Norm died on September 14, 2021 at age 61.
Marc revisits his conversation from earlier this year with actor Michael K. Williams. Michael died at age 54 on September 6, 2021.
Matt Damon's continuing presence and popularity in American films can be summed up in four words: He loves to act. Matt tells Marc how he made the most out of working with icons like Clint Eastwood, Francis Ford Coppola, Steven Spielberg, Jack Nicholson, Denzel Washington and many more. He also talks about teaming back up with Ben Affleck for their first screenplay since Good Will Hunting and making his latest film, Stillwater, with Tom McCarthy.
The pandemic forced a lot of changes on all of us, but for Quentin Tarantino, he was already undergoing a huge change right as the pandemic started: He became a first-time father. Now with the release of his first novel, the famed director talks with Marc about the shifting perspectives and priorities that come with getting older. They also talk about the death of Old Hollywood, the Manson family, and why he wouldn’t use the name Tarantino if he had to start all over again. Plus, Tom Scharpling finally gives Marc what he wants in Get to Know Tom.