As Connor Roy on Succession, Alan Ruck finally has the kind of role he’s been waiting to get for more than 30 years. And as Alan tells Marc, some of those years weren’t very fun. There was the time after playing Cameron in Ferris Bueller’s Day Off when he could only get work in a Sears warehouse. Or the time before making Speed when he left acting and started tending bar. And then the time when he got sick while shooting Spin City and almost died. At least there were some Star Trek conventions sprinkled in the mix.
Taraji P. Henson says all her f***s are behind her now. But after three decades in show business, Taraji admits she only feels freedom from her f***s because of her openness around mental health. Taraji and Marc talk about the importance of coping with mental illness, as well as Taraji’s work to encourage mental health awareness in the Black community. They also talk about her landmark performances, from Baby Boy to Empire to Hidden Figures, and how she dealt with getting pushed out of roles after being told that “Black doesn’t sell.”
Kelefa Sanneh has been writing about music for his entire career. Drawing on his experience as the music critic at The New York Times, a staff writer for The New Yorker, and a lifelong music obsessive, Kelefa took a detailed look at how music unites and divides us with his new opus, Major Labels: A History of Popular Music in Seven Genres. Marc and Kelefa talk about their own personal musical journeys, how genres are comparable to communities, and how identities can be established and shaped by the music we love.
American audiences fell in love with Julie Delpy as the romantic French traveler Celine in Before Sunrise and its two sequels. But Julie didn’t have an equal love affair with the making of Hollywood films. She tells Marc that she was always happier as a writer and director, and her ongoing fight against institutional biases and sexism left her more than a little frustrated. With her new comedy series on Netflix, On The Verge, Julie is creating an unfortunately rare depiction of women in their 40s and 50s.