Wendell Pierce isn't doing a lot of acting during the pandemic, but he's keeping busy. He's spending more time with his 95-year-old father in New Orleans, he’s hosting radio shows on a local station he bought, and he's helping to figure out the future of live theater. Wendell and Marc talk about his time on The Wire and the unique way he experienced that show. They also discuss what he learned playing Willy Loman last year and how Led Zeppelin and jazz helped him become a better actor.
Wendell Pierce isn't doing a lot of acting during the pandemic, but he's keeping busy. He's spending more time with his 95-year-old father in New Orleans, he’s hosting radio shows on a local station he bought, and he's helping to figure out the future of live theater. Wendell and Marc talk about his time on The Wire and the unique way he experienced that show. They also discuss what he learned playing Willy Loman last year and how Led Zeppelin and jazz helped him become a better actor.
Toni Collette might be the first actor to tell Marc that, yes, she does learn about herself through the characters she plays. That's a lot of learning, considering the wide range of characters Toni has played over the years. Toni and Marc talk about how she grew into herself while starring in movies like Muriel's Wedding, The Sixth Sense, Hereditary and now in Charlie Kaufman's latest, I'm Thinking of Ending Things, a movie that left Marc asking a lot of questions (which he'll try to get Toni to answer).
Even in the face this year, Martin Short remains an optimistic guy. Maybe it’s because he’s had a career he loves, or maybe it’s his mild-mannered Canadian disposition, or maybe it’s because he suffered through a lot of tragedy as a kid. Martin and Marc try to figure it out, and they also talk about his live shows with Steve Martin, the difference between doing SCTV and SNL, why Martin considers 80% of his career to be a failure, and why believes that a 20% success rate is high for a career in show business.
One year ago, Marc used the Labor Day episode of WTF to find out why so much bad stuff in the world gets birthed in the darkest corners of the internet. A year later, it's only gotten worse. Marc talks with comic artist Matt Furie about how his creation, Pepe the Frog, was appropriated by online racists and Nazis, and Arthur Jones explains why he made a documentary about Matt's quest to reclaim Pepe. Also, Andrew Marantz from The New Yorker joins Marc to help draw the line from Pepe to QAnon and other fanatical online behavior.
J.K. Simmons faced a tough balancing act when his lifelong nonchalance about awards for acting came up against him becoming the runaway favorite to win an Oscar for Best Supporting Actor. J.K. and Marc talk about how he reconciled that contradiction with help from Jason Reitman and how his late-blooming Hollywood career helped him maintain perspective. They also talk about his time on stage in Seattle, Broadway and regional theaters across the country, his fear of being typecast when he was on Oz, and the big shift that happened when he made Juno.