Anna Konkle and Maya Erskine, co-creators and stars of the middle school-based comedy PEN15, met and bonded in college. But they knew their most authentic collaboration would come from playing themselves as adolescents, which started them on a six-year journey to put together their show. Maya and Anna talk with Marc about playing their 13-year-old selves again, what it was like to redo traumatic moments of their youth, and why all the other actors are age-appropriate teens. Also, Anna explains what she learned from Marc when she worked with him and Maya details the process that led to the casting of her real mom as her TV mom. This episode is sponsored by ZipRecruiter and SiriusXM.
Dennis Quaid believes in the benefits of familiarity. In fact, he attributes his career to it. Multiple generations of audiences know him for different films, be it Breaking Away or Dreamscape or The Parent Trap or The Rookie, but everyone has a sense of who he is. That’s because Dennis says he’s always playing a version of himself, even when he’s playing real people like Doc Holliday, astronaut Gordo Cooper, and Jerry Lee Lewis. Dennis also talks with Marc about teaching mandolin to Marlon Brando, playing a true psychopath in The Intruder, and getting into the podcast game with Bob Dylan. This episode is sponsored by SimpliSafe and Stamps.com.
After fifty years in Hollywood producing some of the most popular movies of all time, Irwin Winkler says the question he still gets asked the most is, What does a producer do? To get the answer, Irwin tells Marc about his days running the bumper cars on Coney Island, his job as a self-described mediocre agent, and his success making movies as the studio system broke down, including culture-changing hits like Rocky, Raging Bull and Goodfellas. Plus, Irwin explains why he’s had such a great collaborative relationship with Martin Scorsese and provides some details about Marty’s upcoming movie, The Irishman. This episode is sponsored by Squarespace and Capterra.
Jane Fonda is still acting and is still an activist, two constants in her entire adult life. But as she tells Marc, Jane spent a lot of her life thinking she was a worthless person. Carrying the twin burdens of her mother’s suicide and a strained relationship with her father, Jane talks about why she gravitated throughout her life toward strong men, how she struggled with her own compulsive behavior, and what finally happened to convince her that she was worth it. Jane and Marc also talk about the real reason she started making workout videos, what current issues she believes need our urgent attention, and why she feels like she has a real handle on acting for the first time in her life as part of Grace and Frankie. This episode is sponsored by Ramy on Hulu, SiriusXM, and Leesa.
Bryan Callen always wished he could be a tough guy. Maybe it was the influence of his Marine father or maybe it was the snippets of American culture he was taking in as he grew up all over the world. Whatever it was, it caused a crisis of identity that pushed him toward acting and, ultimately, standup comedy. Bryan talks with Marc about where that identity crisis stands today, why he doesn’t buy into the concept of alpha males, and what’s driving him to be a better man today. They also compare notes, in non-spoiler fashion, on being in the Joker movie. This episode is sponsored by Ramy on Hulu, JustCoffee.coop, and SiriusXM.
Brené Brown’s degree in social work and her research into conditions like empathy and vulnerability led to one of the most viewed TED Talks of all time, millions of readers of her books, and celebrity boosters like Oprah Winfrey. But it was her academic work on shame that started it all and is the aspect of her work that resonated strongly with Marc. Brené talks with Marc about the evolution of her work, how it’s reflected in social and cultural changes, what her research told her about hope, and what is the biggest challenge of adult life. They also discuss her new Netflix special, The Call to Courage. This episode is sponsored by Ramy on Hulu and Capterra.
Mark Arm was there at the beginning of a Seattle music scene that became a national phenomenon. But all Mark ever thought he and his bandmates were doing was entertaining themselves. Mark talks about how he grew up in Suburban Washington with pressure from his mom to be in the arts and how his outsider status led him to starting bands like Green River and Mudhoney, playing alongside contemporaries like Soundgarden and Mother Love Bone. Also on this episode, Marc’s old pal Dan Pashman from The Sporkful stops by because he was in the neighborhood. This episode is sponsored by Squarespace and the National Highway Traffic Safety Administration.
Christina Hendricks can relate if you had a lousy time in high school. Between moving around a lot to her goth fashion style and music choices to her time spent with the school theater crew, Christina was a target of bullies and wanted to get as far away from school as possible. She tells Marc how this alienation led to careers in modeling and acting, and how her agents dumped her when she insisted on pursuing a role in a little show called Mad Men. Christina talks about growing along with the character of Joan and why she made the creators of her new show, Good Girls, make a promise to her when she took the gig. This episode is sponsored by Yousician, Ramy on Hulu, and Stamps.com.
Bruce McCulloch’s characters and disposition on The Kids in the Hall would lead you to conclude he’s somewhat shy, sensitive and kind. And while that may be true now, Bruce says he was an angry young man, a drinker, a fighter. Growing up in Calgary, there didn’t seem to be much of a future for him, but improv comedy became the way out. Bruce talks with Marc about the darkness lurking beneath the Kids and why the group dissolved after making the movie Brain Candy. Bruce also talks about his friendship with the late Gord Downie of The Tragically Hip, his career behind the camera, and his new role producing and directing a sketch comedy troupe called Tallboyz. This episode is sponsored by Leesa.
The last time Vincent D’Onofrio saw Marc it was at a standup show where Marc got tackled on stage by a disgruntled audience member. A lot has changed for both of them since then. You know Marc's story. But Vincent says in the decades since that night, he has improved his mental wellness and gotten his anger under control, two changes he thought would hurt his craft but wound up helping him become a better actor. Vincent also tells Marc about his first movie job being unadulterated Kubrick, why the real goal of an actor is servicing the story, and what went into creating and directing a full-on Western movie, The Kid. This episode is sponsored by Missing Link from Annapurna Pictures, OpenFit, and Capterra.